![]() Alternative fingerings can provide some approximate microtones (e.g.To the best of my knowledge, it is not possible to build a quarter tone trigger on the piccolo trumpet as the tube length would need to be prohibitively small.ĭiscouraged? There is some hope…a few methods of producing microtones on the piccolo do exist:.The 7th natural overtone is so high that, in practice, only the lowest two or three can be used.The vast majority of piccolo trumpets do not have valve slides that can be easily manipulated while playing.Microtonal playing on the piccolo trumpet is possible, though for several reasons it is quite impractical: Check out my post on half-valve for more information. ![]() This works on the piccolo just as it does on the larger instruments. These also work just the same as on the larger trumpets but with a somewhat larger range due to the 4th valve. The other techniques and sound colors I mention in my post on air sounds also work with the piccolo! Slaps and Percussive Sounds Piccolos with a fourth valve will have a few extra pitches to work with. As with the larger trumpets, it is not possible to access the overtone series with air sounds – only one pitch per fingering is available. Air SoundsĪir sounds on the piccolo trumpet sound a minor 7 th lower than fingered. All glissandi on the piccolo (with the exception of chromatic glissandi) will need to be faked in some way using half-valve or bending. ![]() This means that glissandi with valve slides are not an option for the piccolo trumpet. Typically, the piccolo trumpet does not have valve slides that can be easily manipulated while playing. I do not recommend writing lip trills for the piccolo as the smaller overtone intervals are well into the high and extreme high registers (see range above). The same general rules for the larger trumpets also apply to the piccolo. These techniques work just as well on the piccolo as they do on the Bb and C trumpets and the same rules apply. In my original post on mutes I didn‘t include any audio examples for the picc, so here are „the standard three“ mutes with piccolo trumpet! No mute (open) Straight mute Cup mute Wawa mute (with stem) Wawa mute (with stem) with wawa effects Harmon mute (no stem) Flutter Tongue, Doodle Tongue and Growl It’s important to bear in mind that playing a muted piccolo trumpet is much more strenuous than open playing, and that intonation is often a problem. Most of the mutes listed here and here are available for piccolo trumpet. In particular, the cantatas and orchestral works by Bach and Handel are (mostly) good references for friendly piccolo trumpet writing.Īt the very bottom of my post on endurance are a few helpful examples of piccolo trumpet repertoire that test the performer’s endurance in different ways. ![]() Many players use the piccolo trumpet for Baroque trumpet literature, especially in modern orchestras – although it has become increasingly popular to use the natural trumpet. Some references for good writing for the piccolo trumpet can be found in the Baroque repertoire. So, although the piccolo trumpet facilitates playing in a higher register, it is still better to treat the extreme high register with caution. However, piccolo playing tends to be even more strenuous for the embouchure than the Bb or C trumpets. In principle, most of the „rules“ in my post on endurance are equally valid for the piccolo trumpet. So, playing a high Eb’’’ will be much easier on the piccolo trumpet than it is on the Bb trumpet, but I still can’t play much higher than that on the piccolo in general. It is important to note that the piccolo trumpet doesn‘t really extend the range upwards in comparison to the lower instruments – rather, it makes it easier to play in the high register. ![]()
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